In my class, “Introduction to the Bible I: The Hebrew Scriptures,” the first movie that I show is Noah (2014). As I said in my post introducing this series on the movies that I show in my classes, I’ll provide brief commentary on the following: (1) why I show the movie; (2) the strengths of the movie for what I’m trying to accomplish; (3) the weaknesses of the movie for what I’m trying to accomplish.

1. Why I show Noah (2014)
During the first few weeks of this class, I introduce my students to the difference between reading the Bible in a classroom setting like ours and what they may have experienced in a church or synagogue setting, or during personal or family devotionals. Unit 1, “How We Read the Bible” doesn’t try to establish a universal, objective approach to reading the Bible but I do tell students that we’ll be wearing a few different “lenses”: those of historians, literary critics, sociologists, philosophers, and theologians. In other words, I try to familiarize them with the different “academic” approaches to the Bible. Usually, students are a bit confused still about these different approaches as we end this unit but the goal is to familiarize them with how we’ll be reading. The next three units practice these approaches, sometimes explicitly and sometimes implicitly. For students who take “Introduction to the Bible II: The Christian Scriptures,” the work continues and often I see that most students have gained a “hands on” understanding of how academic approaches to the Bible differ from what they’ve experienced at home or in religious communities.
The content that I use to help them practice different approaches to reading is the First and Second Creation Narratives found in Genesis 1-2 and the narratives found in Genesis 3-4 where the humans interact with their environment and their Creator. During this unit, I introduce the concepts of “canonical” and “non-canonical” literature and I have them read from a historian’s perspective (considering the historicity, ahistoricity, and mythology of the passage); a literary critic’s perspective (structure, context, setting, characters, etc.); a sociologist’s perspective (gender relations, family structure, humans and their environment, attitudes toward violence, etc.); and the perspectives of philosopher’s and theologian’s (what messages do we find? what presumptions are in the text? what’s being claimed and assumed? what is this text saying about concepts like “God” and “humanity” and “animals” and “the world”?).
To wrap up the unit, students read the entire Flood Narrative of Genesis 6-9. Then we watch Noah to see how Darren Aronofsky has read and re-imagined this text both in itself, in dialogue with non-canonical traditions, and in hermeneutically merging the ancient and modern horizons of this narrative and our own collective, modern narrative(s).
2. The strengths of Noah
First, Aronofsky helps students see how the narrative “gaps” in Genesis 6-9 have invited interpreters to “fill in” what’s missing. When I have them focus on the literary aspects of the Hebrew Bible, I point out how little we are told about what’s happening in the background, or the internal, psychological states of the characters. This gives the Hebrew Bible life. What’s Noah thinking when he goes about building an ark as all of his fellow humans prepare to experience an omnicide? Only the interpreters can fill in those details because they narrator provides us with nothing but silence.
Second, I find that this visuals help many students understand the “ancientness” of this story. In a sense, Aronofsky makes Noah and company look very modern. The weapon technology is creative, to say the least. So is the clothing. But it still feels like an ancient, pre-historic world and the movie feels like mythology which helps students realize, consciously or unconsciously, that we’re not dealing with stories that align with modern historiography. Adjacently, elements of ancient patriarchy, ideas and values around reproduction, religion and mysticism, attitudes toward violence, etc., are different from our own, which corresponds to the sociological lens I ask my students to consider.
Third, Aronofsky is familiar with Jewish tradition and non-canonical material. For example, there are places in this story that aren’t from Genesis 6-9 but are from Genesis. The Akedah tradition where Abraham is ready to sacrifice Isaac is imported back into the Noah story for creative reasons but also theologically rich ones as the Torah itself can be read as juxtaposing Noah, Abraham, and Moses when it comes to divine judgment and their response to it. Additionally, “the Watchers” are a somewhat silly, kind of “Transformers” inspired presentation of material from the Enochian tradition. This helps teach students about reception history and how interpretation of the Bible is never from “nowhere” but always from a point of view. The canon influences how we interpret material in the canon but non-canonical traditions, whether the Book of Enoch, the Protevangelium of James (with regard to the subsequent semester’s content), or even just denominational traditions, also shape our interpretation.
Fourth, Aronofsky modernizes the message of Genesis 6-9 so that it speaks to a few contemporary concerns. First, those who have watched Noah become aware that in many ways, this movie is about human degradation of our environment. The “descendants of Cain” plummet the earth. They’re greedy. The environment is destroyed wherever they go. Meanwhile, the “descendants of Seth,” which is limited to Noah, his wife, and his sons, care for the earth, use only what’s needed, and practice a vegan diet. I point out to my students that Aronofsky isn’t just parroting the Bible’s story: he’s using an ancient story of environmental destruction and the “judgment” that follows to ask about our own rising waters (i.e. climate change) and how we humans are bringing about our own judgment—one that impacts us but also non-human animals and all the life on our planet. This corresponds to the philosophical and theological lens that I ask my students to consider.
3. The weaknesses of Noah
As always, students often conflate the movies that I show with the texts themselves. I’ll catch in later assignments times when students talk about what happened in the Book of Genesis but they’re describing what happed in Noah. For better or worse, “Noah” is the movie’s Noah who experiences a psychotic break and tries to kill his own grandkids, rather than the vague, 2-D Noah of Genesis 6-9. I try to prevent this by having them read Genesis 6-9 while listing 25 observations about the text that they juxtapose to the movie when we’re done but the influence of visual art is strong!
The Transformers quality keeps their attention but when I ask students if they picked up on Aronofsky’s environmental message, very, very few ever have. Once I make it evident, they see it, but they don’t see it as the descendants of Cain storm the Ark while fighting against the Watchers!
Some may be concerned that the movie departs too far from the Bible’s source material. Other than what I mentioned above about how students conflate the two, I think every sermon, every week, in every church and synagogue does this with the Bible and the Bible would be boring, dead, and meaningless if people didn’t expand on its content interpretively. But I do know that it is a very creative interpretation and this can offend some and confuse others.
Obviously, something can be said for all these ancient people being English speaking white folk. I think this is less problematic with a mythological, prehistorical movie like Noah than it was with the other 2014 biblical epic, Exodus: Gods and Kings that is set in Egypt in the middle of the second millennia BCE. But I do recognize how it can create a subconscious assumption that the Bible is about white people when in fact it very much isn’t!
Overall, the strengths outweigh the weaknesses. Noah starts conversations about the Bible and it keeps my student’s attention. They have strong emotional responses both in favor of and against how it interacts with the Bible’s materials, which I see as a good thing either way. It gets them thinking and doing their own interpretive work!


